I’ve been listening to this song constantly.
I picture a slow death in space. It terrifies me.
I’m constantly amazed by synths and the people who are able to utilize them. The synth is the first instrument I actually feel like I can use as a way to communicate with others. I expected myself to create simplistic, vibrantly bright patches, sounds that were more amiable than tumultuous. But when I tried, I realized that the sounds were cute, but the feeling behind it was lifeless. It wasn’t until I started to play around with the presets on my MicroKorg (mainly the string patches, oddly enough) that I realized what I was doing was all wrong. I just started creating whatever I liked, and most all have turned out to be inherently darker. I like things in my life to be unabashedly adorable, but when it comes to expressing myself on a different medium, I want more substance. I’m at the whim of a darker collective. At least when it comes to my MicroKorg. My beloved, sweet MicroKorg.

I’ve been listening to this song constantly.
I picture a slow death in space. It terrifies me.
I’m constantly amazed by synths and the people who are able to utilize them. The synth is the first instrument I actually feel like I can use as a way to communicate with others. I expected myself to create simplistic, vibrantly bright patches, sounds that were more amiable than tumultuous. But when I tried, I realized that the sounds were cute, but the feeling behind it was lifeless. It wasn’t until I started to play around with the presets on my MicroKorg (mainly the string patches, oddly enough) that I realized what I was doing was all wrong. I just started creating whatever I liked, and most all have turned out to be inherently darker. I like things in my life to be unabashedly adorable, but when it comes to expressing myself on a different medium, I want more substance. I’m at the whim of a darker collective. At least when it comes to my MicroKorg. My beloved, sweet MicroKorg.

Posted 1 year ago Notes