I’ve been listening to this song constantly.

I picture a slow death in space.  It terrifies me.

I’m constantly amazed by synths and the people who are able to utilize them.  The synth is the first instrument I actually feel like I can use as a way to communicate with others.  I expected myself to create simplistic, vibrantly bright patches, sounds that were more amiable than tumultuous.  But when I tried, I realized that the sounds were cute, but the feeling behind it was lifeless.  It wasn’t until I started to play around with the presets on my MicroKorg (mainly the string patches, oddly enough) that I realized what I was doing was all wrong.  I just started creating whatever I liked, and most all have turned out to be inherently darker.  I like things in my life to be unabashedly adorable, but when it comes to expressing myself on a different medium, I want more substance.  I’m at the whim of a darker collective.  At least when it comes to my MicroKorg.  My beloved, sweet MicroKorg.

I’ve been listening to this song constantly.

I picture a slow death in space.  It terrifies me.

I’m constantly amazed by synths and the people who are able to utilize them.  The synth is the first instrument I actually feel like I can use as a way to communicate with others.  I expected myself to create simplistic, vibrantly bright patches, sounds that were more amiable than tumultuous.  But when I tried, I realized that the sounds were cute, but the feeling behind it was lifeless.  It wasn’t until I started to play around with the presets on my MicroKorg (mainly the string patches, oddly enough) that I realized what I was doing was all wrong.  I just started creating whatever I liked, and most all have turned out to be inherently darker.  I like things in my life to be unabashedly adorable, but when it comes to expressing myself on a different medium, I want more substance.  I’m at the whim of a darker collective.  At least when it comes to my MicroKorg.  My beloved, sweet MicroKorg.

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